MadArt Studio (Seattle, WA)
January 25 – May 8, 2015
The Smithsonian American Art Museum –
Renwick Gallery (Washington, DC)
November 13, 2015 – May 13, 2016
The World Economic Forum (Davos, Switzerland)
January 17 – 20, 2017
The Seattle Art Museum – Brotman Forum
(Seattle, WA)
February 10, 2017 – present
For its inaugural exhibition, MadArt Studio welcomed Middle Fork, a massive wooden sculpture by local artist John Grade. After spending several weeks on-site in the woods of North Bend, John transported plaster molds of a live 140-year-old hemlock tree into the studio for further transformation. With the help of his team and hundreds of community volunteers, Grade used the casts as a base to build the intricate wood structure made from salvaged old-growth cedar and bonded with waterproof glue.
Once the smaller pieces were in place and refined, the interior supporting plaster was removed, leaving a hollow structure. The sculpture was eventually oriented horizontally and suspended from the ceiling so that the center of the trunk was at eye level. Limbs radiated outward toward the floor, walls, and ceiling, allowing visitors to view a familiar organic form from new perspectives.
After exhibiting at MadArt Studio, Middle Fork traveled to art fairs and museums, including the World Economic Forum in Davos, Switzerland, and the Renwick Gallery of the Smithsonian American Art Museum in Washington, D.C. It is currently on view in the lobby of the Seattle Art Museum downtown. After some time, Grade plans to return the sculpture to the foot of the tree from which it was cast, allowing it to gradually moss over and degrade into the forest floor.
Review: Pair of tree sculptures worth a trip to Seattle
The News Tribune
March 9, 2017
Seattle Art Museum Debuts Largest Iteration Of John Grade’s Sculpture—Middle Fork!
Seattle PI
February 23, 2017
Say Goodbye to SAM's Flying Cars, Hello to a Floating Tree
Seattle Magazine
January 1, 2017
10 Mind-Blowing Temporary Art Works
Culture Trip
October 13, 2016
John Grade's "Middle Fork" returns to Seattle, this time at SAM in 2017
Vanguard Seattle
May 23, 2016
De-composition — Smithsonian sculpture by John Grade made to rot
The Seattle Times
November 16, 2015
A Transformed Renwick Gallery Reopens To The Public
WAMU 88.5
November 13, 2015
Smithsonian’s Renwick Gallery Reopens With a New Focus
The New York Times
November 13, 2015
9 room-sized art installations: The Renwick goes big with “Wonder”
The Washington Post
November 12, 2015
This Artist Recreated a Magnificent 40-Foot-Tall Tree From the Cascade Mountains by Hand
Smithsonian Magazine
November 12, 2015
New Perspectives on an Old Tree: Five Questions with John Grade
American Craft Council
April 16, 2015
New group says art will help people and street life in SLU
Seattle Daily Journal of Commerce
April 9, 2015
John Grade Creates “Middle Fork” From Plaster Casts of 140-Year-Old Tree
Hi-Fructose Magazine
March 12, 2015
Intricate Latticework Sculpture Formed from 140-Year-Old Tree
My Modern Met
February 16, 2015
Artist and Hundreds of Volunteers Recreate Huge Old-Growth Tree in Sculpture (Video)
Treehugger
February 10, 2015
Laughing Squid
February 6, 2015
Middle Fork – A Parametric Tree Sculpture by John Grade
Urukia Magazine
February 4, 2015
A Tree Sculpture Made of Thousands of Wood Pieces
Contemporist
February 3, 2015
John Grade sources sculptural skin sculpture from 85-foot tree cast
Design Boom
February 3, 2015
Giant Tree Sculpture Cast from the Trunk of a 140-Year-Old Hemlock
Colossal
February 2, 2015
‘Middle Fork’: A North Bend tree puts down roots in South Lake Union
MyNorthwest
January 28, 2015
CityArts Magazine
January 27, 2015
Portrait of an ancient: ‘Middle Fork’ exhibit inspired by 140 year-old North Bend tree
Snoqualmie Valley Record
January 21, 2015
In-Progress Art on Full Display in South Lake Union
Seattle Magazine
July 1, 2014